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Krzysztof PIJARSKI (ur. 1980)

Folders #34 / #36 from the Dłubak-Sources series

2009/2010
diptych, pigment print, Moab Entrada Natural 300 g,
22 x 17 cm, 22 x 30 cm,
signature, date and description on the reverse,
edition: 1/7 + 2 a.p.

The work is part of the Dłubak-Sources series. Sources is a play with the notion of an archive as a source of information, an attempt to destroy its integrity and uniformity. The collection of negatives, photos, sketches, notes and texts left by this important figure in Polish photography serves as a resource or a `source` of new images - neutral representations, glaring manipulations and montages. The aim of this game is not to reconstruct Dłubak as he actually was, but to capture the products of his thinking and artistic and commercial activity.

Artist using the photographic medium, art historian, translator, lecturer at PWSFTviT in Łódź. Pijarski`s doctoral thesis was dedicated to Michael Fried, modernism and photography. The focus of his artistic work is on fate and the power of images in the post(modern) world. He is also an editor of The Archive as a Project publication. Member of the College Art Association, the Association of Art Historians and ZPAF. Selected individual exhibitions: MSŁ, Okna Gallery, CCA Ujazdowski Castle, Warsaw (2008); Dłubak - Sources, Asymetria Gallery / The Archaeology of Photography Foundation, Warsaw (2009); Krzysztof Pijarski / Jerzy Lewczyński - Playing the Archive Game, Asymetria Gallery / The Archaeology of Photography Foundation, Warsaw (2011). Selected group exhibitions: The Red Eye Effect. Polish Photography of the 21st century, CCA Ujazdowski Castle, Warsaw (2008); Inside - Outside: Some Aspects of Contemporary Polish Photography, Prague Biennale 5, Prague (2011).

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Nota biograficzna:

PIJARSKI Krzysztof
Krzysztof Pijarski - historyk sztuki, artysta/badacz posługujący się medium fotografii, tłumacz. Absolwent Instytutu Historii Sztuki Uniwersytetu Warszawskiego, Wydziału Komunikacji Multimedialnej Akademii Sztuk Pięknych w Poznaniu i łódzkiej Filmówki; doktorant Wydziału Historycznego Uniwersytetu Warszawskiego. Pisze pracę doktorską o pismach i myśli Michaela Frieda, jednego z krytyków i historyków sztuki wiązanych z „wysokim modernizmem” w Stanach Zjednoczonych, która ma być swoistą archeologią modernizmu.

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